The Imitation Archive

Client: The National Museum of Computing, Bletchley Park and The British Library

Sound Recordist and Composer: AudioGAMMA (Matt Parker)

A Sonic Archive of Computing Technology

Following a period of two months at The National Museum of Computing at Bletchley Park, AudioGAMMA sound artist Matt Parker recorded and archived over 100 sounds from the historic collection of computers within the museum. The Imitation Archive, was submitted to The British Library Sound and Vision Archive to act as a permanent repository of the sounds of 70 years of computing history, starting as far back as the first ever programmable digital computer, Colossus.

Composing the Archive

Using the archived materials, Matt composed ten unique pieces of musical composition that reflect his experiences of late nights and long days enveloped in the sounds of computer history as well as the stories behind the objects.

Find out more at www.earthkeptwarm.com/the-imitation-archive/.

Waterline: An Ode to Decay

Client: Athens and Epidaurus Festival

Production: Dεcadēre Theatre

Music and Sound Design: AudioGAMMA (Gary Salomon)

Video Director: Constantin Pilavios

DoP: Petros Nikolintai

Credits: Capture / Décadēre

Performance Direction by: Artemis Grympla, Alkistis Polychroni

Motion Editors: Alkistis Polychroni

Assistant Director: Eva Diamanti, Agapi Hliadou

Costumes: Vasiliki Syrma

Stage design: Alexandros Lagopoulos

Lighting: Alexandros Alex Alexandrou

Hamlet & Οφηλία

A movement duo project devised through exploring the fragile relationship between Hamlet and Ophelia in Shakespeare’s great tragedy.

Devised and performed by Alkistis Polychroni and Toni Mas Parés.

Technical Specs
Running Time: 59 minutes
Aspect Ratio: 16:9
Original Format: HD video
Audio: 5.1
Screening Format: DCP
Language/Subtitles: English

Credits
Choreography: Alkistis Polychroni
Dancers: Alkistis Polychroni and Toni Mas Parés
Sound: AudioGAMMA (Gary Salomon and Matt Parker)
Video: Bella Riza

The People’s Cloud

An AudioGAMMA production

Year: 2016

THE PEOPLE’S CLOUD is a documentary film that gets to the bottom of the internet; investigating the ecology and impact of cloud computing on the lives of those who use it, the places it is physically located in and the people who work to maintain it.

Traveling across Europe the film searches for the sites and sounds that make up infrastructure of the internet. From secretive data centre factories and network exchange hubs to submarine cables and fibre optic landing sites, THE PEOPLE’S CLOUD investigates the environmental and geopolitical impact of mobile data storage, asking engineers, technicians, manufacturers, marketing experts, salespeople, economists, husbands, wives, family members and artists what ‘the cloud’ means to them and what this data boom has meant to their lives.

Visit www.thepeoplescloud.org for further information.

Awards
Nominated for the Prix Field Recording. Phonurgia Nova Awards, France (2018)

Directed by Matt Parker

Technical Specs
Running Time: 59 minutes
Aspect Ratio: 16:9
Original Format: HD video
Audio: 5.1
Screening Format: DCP
Language/Subtitles: English

Credits
Cinematography: Sebastien Dehesdin
Additional cinematography: Michael James Lewis
Sound Recording: Matt Parker
Composition: Matt Parker
Additional Composition: Gary Salomon
Video Edit: Matt Parker
Sound Post Production: Matt Parker
Colourist: Sebastien Dehesdin

The Cloud is More Than Air and Water

Client: The People’s Cloud

Year: 2014

Director: Matt Parker

Brief: Film Production, Sound Design and Composition

What is ‘The Cloud’ and how is it affecting our lives? The Cloud is more than Air and Water is a project investigating the acoustic ecology and impact of cloud computing on the lives of those who use it, the places it is physically located in and the people who work to maintain it.

Internet enabled computers and mobile devices are ubiquitous within the western world but not too long ago computers were humongous machines, occupying vast spaces and generating a great deal of noise; the noise of spinning fans and disks. As technology has evolved, ‘cloud computing’ has become prevalent and today’s smartphones sit silently in our pockets, no longer making the noise of computers of old. Or are they?

As we transfer our data across the internet, where is it going? Most people have no idea where their ‘online’ data is once it’s uploaded onto ‘the cloud’, but it is definitely not in the sky. The Data Centre, an often huge building filled with computers, heat, spinning fans and disks has enabled us to transfer the noises of computing and locate them somewhere else, somewhere unknown, and somewhere on a mass scale.

The Story Emporium

Client: THE STORY EMPORIUM

Director: PHIL MCDERMOTT

Year: 2014

Brief: Composition and Sound Design

Story Emporium asked us to make an engaging animation come alive with sound and music for one of their online stories. The Story Emporium are committed to increasing Oracy and storytelling in the school, the classroom and the home. They want to help children learn by feeding their ever-hungry imaginations with exhilarating tales of wonder, excitement and adventure.

We produced a fitting score and sound design to complement the children’s fantasy story unfolding in the animation.